As a Costumer for the World of WearableArt (WOW) 2022 Show, I worked across specialist costume construction, fittings, workroom organisation and live-show dressing, creating pieces including avant-garde millinery, large Māori capes and a sculpted corset.

I coordinated fittings across nine show sections and approximately 25 performers, before working backstage on fast changes, repairs and the day-to-day demands of a large-scale live production

All images are property of World of WearableArt and their respective designers, photographers and rights holders, used here solely to document my professional contribution.